Tag Archives: electronic literature

Australia Council grant for new electronic literature work

Posted on December 10, 2013 by admin

Very happy to mention that I have been recently been awarded an Australia Council Literature Board grant in New Media and Digital Writing, to develop a new electronic literature work for tablet devices. Work will start on this project in 2014, so more … Continue reading →

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of day, of night at MLA 2013

Posted on December 22, 2012 by admin

I’m delighted to report that of day, of night has been included in the MLA 2013 exhibition, “Avenues of Access: An Exhibit & Online Archive of New ‘Born Digital’ Literature”  in Boston in January, 2013. Thanks very much for the inclusion, and in … Continue reading →

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“of day, of night” included in Judy Malloy’s Authoring Software site

Posted on September 26, 2012 by admin

A quick entry to say that some writing about my interactive narrative of day, of night has been included on Judy Malloy’s excellent Authoring Software site. Judy is one of electronic literature’s true pioneers, creating some of the earliest hypertexts … Continue reading →

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‘of day, of night’ off-screen recording

Posted on April 17, 2012 by admin

I’ve finally found a way to share the interactive experience of  ‘of day, of night’ online, using an off screen recording of selected excerpts. Please note that the audio & interactive experience is higher quality and more immersive when running … Continue reading →

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of day, of night: analysed in article on hypertext fiction

Posted on September 22, 2010 by admin

of day, of night is analysed at length in Hans K. Rustad’s online essay, “A Four-Sided Model for Hypertext Fiction”, in Hyperrhiz.06 Special issue, Visionary Landscapes, Spring 2009. Stumbled upon it it by chance. It’s very gratifying to find people … Continue reading →

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of day, of night: interactive narrative / electronic hypertext

Posted on August 15, 2010 by admin

“of day, of night” ( 2002) is a major interactive narrative/ electronic hypertext operating at the intersection of narrative and interactive forms. Integrating video, audio, stills, textual and interactive components, it has been recognised for its rich visual and aural … Continue reading →

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