Visiting scholar at WSUV’s Electronic Literature Lab

I’ve just returned from an incredible opportunity as Visiting Scholar at Washington State University Vancouver, where I was embedded in Professor Dene Grigar’s extraordinary Electronic Literature Lab in order to access, document, preserve and perform my electronic literature/ interactive narrative works from 1997, 2004 and more using the beautiful vintage Macointosh’s from the ELL lab. Dene Grigar, known to so many researchers and practitioners in electronic literature through her tireless work as President of the Electronic Literature Organisation for many years, has instigated an extraordinary research facility at WSUV that is dedicated to the preservation, access and documentation of pioneering global electronic literature from the 1980s onwards.

While in the ELL at WSUV I was able to access my work from 1997- I Am A Singer- a project I have not seen for over 20 years. I can’t describe how gratifying it was to launch the work on a gorgeous old Mac and see it running like a dream. The work was originally funded by the Australian Film Commission and exhibited in Australia, France, Germany, Switzerland, Canada, Brazil and the US at dozens of media art exhibitions in the 1990s, The project, built in Macromedia Director and including Super 8, video, animation, audio, text, music tracks written by Phil Kakulas and performed by musicians of the Australian band The Black Eyed Susans, received considerable attention and won several digital media awards. I was amazed by how big the scope of the work was- novel-like as Dene said- and how much content had been packed into the minimal capacity of a single CD-ROM. With the support of Dene and her team of young researchers in the ELL lab I undertook an informal videotaped “traversal” of I Am A Singer on Friday Nov 1.

Megan Heyward and Dene Grigar discuss electronic literature history and ‘I Am A Singer’ in the WSUV ELL lab. Photo Holly Slocum.

In week 2 we did lots of documentation, interview and discussion in the leadup to a live-streamed 1 hour YouTube traversal of ‘of day, of night’ on Friday Nov 8. This traversal took place in a video studio in front of WSUV students, who were able to ask questions after I navigated and explored ‘of day, of night’ , my second interactive narrative work, again widely exhibited and also the only non-North American interactive work to be published by leading US hypertext publishers Eastgate Systems, in 2004. I also did video documentation of my 2015 iPad elctronic literature work, The Secret Language of Desire. Over the next few weeks I will post links to all of this work undertaken at WSUV including documentation and posts by Dene Grigar. Ultimately the ‘of day, of night’ traversal will be included in a chapter of Dene Grigar and Stuart Moulthrop’s Pathfinders research project.

Megan answering a question during the ‘of day, of night’ traversal, Nov 8, 2019. Photo Holly Slocum.

Handheld video snippet of ‘I Am A Singer’ (1997) running on vintage Mac in ELL lab, Nov 2019.

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Google Earth Studio

I’ve been experimenting with the amazing Google Earth Studio tool by Google Earth. Incredible imagery, fantastic creative and educational possibilities. Thank you for the Google News Initiative training, Sue Stephenson. All image data © 2019 Google and © 2019 Google Earth Studio. After Effects me, sound Michael Finucan.

Images © 2019 Google

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VR in the classroom- conceptualising and planning VR

I’ve recently been doing some more traditional research, including writing a chapter for the forthcoming Palgrave Handbook of Screen Production, Editors: Batty, C., Berry, M., Dooley, K., Frankham, B., Kerrigan, S. (Eds.) . In it I explore the challenges faced by educators incorporating immersive VR contents into screen media teaching, and share a visual and conceptual methodology I’ve developed for the early stages of planning and conceptualising VR that I’ve been using with students. Forthcoming in Nov 2019. https://www.palgrave.com/gp/book/9783030217433 .

I’m also looking forward to a Visiting Scholarship with Prof Dene Grigar at Washington State University Vancouver in late 2019, to learn more about the incredible Electronic Literature Media Archaeology Lab at WSUV, and participate in the Pathfinders project via a traversal of my early interactive narrative work/s.

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The Quintessence

The Quintessence (alternate title Dark Matters) is a proposed multiplatform artwork exploring the enigmatic cosmological phenomena of dark energy and dark matter, the efforts to understand it, and the ways in which the universe continues to fascinate, confound and surprise us. Designed as a multiplatform exhibition for two NSW art galleries – one regional, one metro – using augmented reality (AR), virtual reality (VR), location-based and gallery installation elements, the project takes as its starting point the scientific revival of the alchemical term ‘quintessence’ – medieval philosophy’s enigmatic ‘fifth element’ – to explore the intriguing phenomena of dark energy and dark matter, through integrating artistic, speculative and factual contents in unexpected ways. What exactly are these ‘dark’ phenomena, comprising such large components of the universe? Can they be seen as a metaphor for the unknowable and enigmatic nature of space, time and existence? As science upends our understanding of the cosmos, the universe becomes mysterious again.

The Quintessence will traverse and poetically engage with artistic, speculative and factual contents concerning dark energy and dark matter. It will explore potentials for combining AR and VR contents with informative, playful, embodied and located experiences to engage audiences and activate locations using a combination of familiar, accessible devices – their own mobile phones – as well as emerging technologies and devices, fostering unique cultural experiences for regional and metro audiences.

As contemporary research in astrophysics speculates on the nature of dark energy and its fundamental but mysterious role in the composition and expansion of the universe, scientists have revived the alchemical term, ‘quintessence’ to describe a hypothetical component influencing the evolution of the universe (Steinhardt 2003). This intriguing relationship between contemporary astrophysics and medieval alchemy is the starting point for The Quintessence, which teases out these hidden connections, exploring the enigmas in the world – and the ether – that surrounds us. Further information can be found at the dedicated Quintessence site.

 

 

 

 

 

 

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Dark matters

Had a fascinating meeting in December with the very inspiring Professor Tamara Davis, who heads the Dark Matter/ Dark Energy ARC CAASTRO research project. Tamara generously shared her time and insights, and directed me to some fantastic urls and visualisations regarding the mapping of the southern sky and the dark universe. Also made contact with Dr. Angel R. Lopez-Sanchez, Astronomy Research Fellow & Science Communicator at Siding Springs Observatory, who has created some rather wonderful timelapse images as seen below. Hope to be in further contact with these two – and other astrophysicist researchers –  for a proposed forthcoming creative work around dark energy and dark matter in 2018/ 2019. { Angel’s image via http://oldweb.aao.gov.au/local/www/alopez/timelapse_The_Sky_over_SSO.html }

Circumpolar star traces over Siding Springs © Á.R.L-S.

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Future Text keynote, Nov 24 2017

Key slides from my keynote talk – Future Text: glimpsing narrative futures through the history of digital writing – on electronic / digital narrative that I delivered for the annual NSW English Teachers Association Conference, UNSW Nov 24, 2017.
1Slides-FutureTextFIN2

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The Alchemist’s Guide to the City- Porto app prototype

The Alchemist’s Guide to the City is a walked experience exploring alchemy as an engagement with the nature of the cosmos, and where the speculative notions of the medieval alchemist/philosophers are used as a filter for the contemporary world. Explore the city through the eyes of the alchemists, and discover the enigmas present in the world – and the ether – that surrounds us.

An experimental, prototype version of this work was presented at ELO 2017 in Porto, Portugal in July 2017, crafted specifically for the Mosteiro de São Bento da Vitória and its surrounding streets. The building- previously a Benedictine monastery- is on the Rua de São Bento da Vitória. Selected app screens below.

 

 

 

 

 

 

 

 

 

 

 

 

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For info on Notes for Walking

For information on Notes for Walking locative narrative/ AR augmented reality app, please visit http://www.creativecultural.com/meganheyward/?page_id=667  and http://www.creativecultural.com/notesforwalking/

Notes for Walking, Megan Heyward, 2013.
Notes for Walking locative artwork and AR app by Megan Heyward. Sydney Festival, 2013.
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For info on Secret Language

For information on The Secret Language of Desire electronic literature app for iPads, please visit  https://www.creativecultural.com/meganheyward/?page_id=1497

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For info on Of Day, Of Night

For information on Of Day, Of Night interactive narrative, please visit http://www.creativecultural.com/meganheyward/?page_id=67 and https://vimeo.com/40436931 and hyperrhiz.io/hyperrhiz06/essays/a-four-sided-model-for-reading-hypertext-fiction.html

of day of night still
a map of sorts, an handful of objects, a problem with dreaming
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